Berlinale Perspektive Deutsches Kino

RP Kahl as special guest at Perspektive Deutsches Kino

The Perspektive Deutsches Kino section aims to stimulate interest in new thematic and stylistic trends in German cinema. This section takes audiences on a journey of discovery through the world of German film. By revealing the unexpected and in contemporary German cinema, the idea is to give an insight into the industry’s future. On the final day of this year’s festival, which is reserved for the audiences, Berlin director RP Kahl (99 Euros Films), will be showing his new feature: Bedways does not only tell about filmmaking in Berlin, but also how filmmakers in Berlin can be.

Germany, 2010, 76 min, German

Director: RP Kahl

A dilapidated, practically empty apartment in the Berlin district of ‘Mitte’. This is where Nina and two young actors named Hans and Marie have come together to leave behind the winter cold for a few days and do some screen tests for a film. Nina is a searcher; she wants her film to make feelings visible and intends to portray love by showing real sex. But the more blurred the borders between fiction and reality become, the less Nina seems inclined to make the film at all. Hans, who knows Nina from a brief encounter a long time ago, senses that she is searching for something else. Nonetheless, he and Marie both agree to go along with the play-acting. So far, each is convinced that they are pulling the strings. But Nina’s strategies of seduction weave an ever-tightening web around her protagonists. Nina’s credo that they should not play themselves or anyone else soon becomes a trap for Hans and Marie. No wonder that it becomes almost impossible to decipher where the acting ends and reality begins. The further Nina sets off down a path to an unknown destination, the more the actors shield themselves from each other and keep their feelings to themselves. Their longing for the outside world is a palpable force, but each attempt to open up to each other ends in an emotional blow below the belt. Without a script, communication becomes balancing act; coolness and distance would seem to be the only adequate means of protection. In this world, failure can only lead to a bittersweet happy ending.

Screening on 21 February, more info here.




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